It is always just telling a story, regardless of the age of the reader. Except, if I'm writing something for kids, I know there has to be hope. I don't necessarily feel that responsibility for adults, but I emphatically feel it for children. That's the only difference. There's no syntax difference. There's no semantics difference. There's no thematic difference.

We must ask ourselves these questions as often as we dare. How will the world change if we do not question it?

If I am just home and writing, I become very strange.

If memory serves me correctly, and it doesn't always, Kate [DiCamillo] and I met in the fall of 2001 at the former Figlio's restaurant in Minneapolis. We were laughing within a minute of meeting - always a good sign.

This is a wonderful joke to play upon a prisoner, to promise forgiveness.

On the return flight from my mother in Florida , I sat next to a businessman who asked me what I did for a living. I said, "I write," and it seemed totally ridiculous in the face of what had just happened. I mean, I couldn't think of anything more pointless than telling stories. He asked, "What do you write?" I said, "I write children books."

To me the book is like having a kid. I have to let it go out in the world, and great things will happen. Maybe they won't, but it has to keep on moving.