It is always just telling a story, regardless of the age of the reader. Except, if I'm writing something for kids, I know there has to be hope. I don't necessarily feel that responsibility for adults, but I emphatically feel it for children. That's the only difference. There's no syntax difference. There's no semantics difference. There's no thematic difference.

Once upon a time," he said out loud to the darkness. He said these words because they were the best, the most powerful words that he knew and just the saying of them comforted him.

What I hope is that the book [Bink & Gollie] delights children. What I hope is that they laugh and laugh and laugh, just as we did when we wrote them.

May God strike me down with a hammer on the head before I write a book with a teach-y goal!

The Tiger Rising is, again, about a motherless child. His name is Rob Horton. He is dealing with the death of his mother, when he and his father move to a new town. And two things happen the same day that Rob gets sent home. One is he meets a girl named Sistine Bailey, who is what my mother would call "a piece of work," and he finds a real tiger in a cage in the woods behind the motel where he lives with his dad. And that's the story: what happens with the Sistine tiger, the real tiger and Rob's grief.

I'm not exactly sure how old the girls are [in Bink & Gollie], but I can pretty much guarantee that their parents will never show up. That would mess up the fun. I do, however, very much like Kate's idea of having Tony [Fucile] draw their portraits.

Men and boys always want to go fight. They are always looking for a reason to go to war. It is the saddest thing. They have this abiding notion that war is fun. And no history lesson will convince them differently.