Rooting for the offense is the safe way to go. You win either way.
I guess it's easier to get things made when you know the story you want to tell, you know the characters you want to play, and you know the filmmakers you want to tell them with.
In New York, you can just wake up and everything sorts itself out. I love that, not having a plan.
I want to do something crazy for a part - something I'd never even consider in real life.
If 10 years ago I was told I'd be where I am now, I would've been pretty happy.
I remember telling the agent, 'I don't want to do anything but Broadway.' She was like, 'That's not really possible because there is not that much Broadway. So I'll send you out on TV and stuff like that.'