Wars make history seem deceptively simple. They provide clear turning points, easy distinctions.: before and after, winner and loser, right and wrong. True history, the past, is not like that. It isn't flat or linear. It has no outline. It is slippery, like liquid; infinite and unknowable, like space. And it is changeable: just when you think you see a pattern, perspective shifts, an alternate version is proffered, a long-forgotten memory resurfaces.

Thinking of nothing. Trying to think of nothing. Thinking of everything.

Oh, there was harm indeed for a young lady flattered by the brief attentions of a handsome man.

... for home is a magnet that lures back even its most abstracted children.

Adults weren’t supposed to understand their children and you were doing something wrong if they did.

It is a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to be evaporate into the past; should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down.

Gerry?' Laurel had to strain to hear thought the noise on the other end of the line. 'Gerry? Where are you?' 'London. A phone booth on Fleet Street.' 'The city still has working phone booths?' 'It would appear so. Unless this is the Tardis, in which case I'm in serious trouble.