I hadn't even thought about what I wanted to do when I left school because I was only 14 when I started modelling.

I guess I'm adaptable. You know, I turn up at work and [photographers] can kind of do what they want with me, really.

When Lila was born, "I felt like, now I've got a partner in crime".

Most of the time I dress depending on my mood. I just throw on whatever I feel like wearing at the time, which tends to come from the palette of black, grey or red.

Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!

That picture of me running down the beach - I'll never forget doing that, because I made the hairdresser, who was the only man on the shoot, turn his back.

Once I was walking from The Mercer in New York - because otherwise I don't walk anywhere - and this woman paparazzo who was following me fell over a fire hydrant and her whole tooth went through her lip. I leant over her, saying, 'Are you all right?' and she was still taking pictures.