There's not an awful lot that embarrasses me. I'm the kind of actress that absolutely believes in exposing myself.

At some stage I'm going to have to say, 'Right, that's it. I'm stopping for a bit'.

I am incredibly passionate about my life, I am absolutely unable to hide any emotion. If I wrote a book, I'd have to call it 'P is for Passion'. I don't go in for anything halfway. My feelings about things are instant, on the spot. And my heart is always, always on my sleeve.

When I think about somebody like Keira Knightley, whom I don't particularly know, I see somebody who is working hard, really trying to challenge herself and make smart choices in spite of people criticising her size and performances.

I'd rather do theater and British films than move to L.A. in hopes of getting small roles in American films.

Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.

It's very tempting to have a nanny and live in a gated community and have a chef - I'd love to have a few dinners cooked for me. But I don't want that for my children. When they're older, if people say to them, 'Did you have a chef?' I want them to be shocked by the question.