There are moments to indulge and enjoy, but I always know when it's time to go home and wash my knickers.

Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.

The whole concept of 'grounding' children is utterly stupid - they just go off and rebel and don't like you. When my kids eventually come along, I don't want them to not like me.

I feel very strongly that curves are natural, womanly and real. I shall continue to hope that women are able to believe in themselves for who they are inside, and not feel under such incredible pressure to be unnaturally thin.

There wasn't very much time between wrapping Revolutionary Road and starting The Reader. It was about five and a half months, which, for me, isn't that long. Some actors are very good at just going from one thing to another but I've always been a bit useless at that. The preparation time is important for me.

I finally moved out of my parent's house. It was only fair to let my sister have her own room.

For my own children, I do want for them to look back and remember that it was me in the kitchen, that I was doing the packed lunches, that we were there on the school run, that we did take a bus. I want them to remember those things, because those are the things that I remember from my own childhood and that have been incredibly important to me.