Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.

I kept on going and I overcame my fears and got over my insecurities.

It's very tempting to have a nanny and live in a gated community and have a chef - I'd love to have a few dinners cooked for me. But I don't want that for my children. When they're older, if people say to them, 'Did you have a chef?' I want them to be shocked by the question.

I knew it was going to be important that if I had an audience understand who she was, then all those things had to come from a place that was grounded, as opposed to being tics and manners and twitches. I didn't think it was going to be as rich, perhaps, as if I was going to make it more emotional.

By nature, I'm a very positive person, and because I'm happy in myself, and in my life, and I've got a great husband, and beautiful children, and I have a job that I love that calls for a certain amount of emotional expression, I get to realise a lot of my dreams and aspirations.

When I think about somebody like Keira Knightley, whom I don't particularly know, I see somebody who is working hard, really trying to challenge herself and make smart choices in spite of people criticising her size and performances.

Of course I believe in marriage. Commitment to one other person in life is glorious.