The biographies of the great men see their excesses as signs of their greatness. But Jean Rhys, in her biography, is read as borderline; Anaïs Nin is borderline; Djuna is borderline; etc. etc. Borderline personality disorder being an overwhelmingly gendered diagnosis. I write in Heroines: “The charges of borderline personality disorder are the same charges against girls writing literature, I realize - too emotional, too impulsive, no boundaries."

The biographies of the great men see their excesses as signs of their greatness. But Jean Rhys, in her biography, is read as borderline; Anaïs Nin is borderline; Djuna is borderline; etc. etc. Borderline personality disorder being an overwhelmingly gendered diagnosis. I write in Heroines: “The charges of borderline personality disorder are the same charges against girls writing literature, I realize - too emotional, too impulsive, no boundaries."

My rage and sense of alienation as to how women have been written, have allowed themselves to be written, in so many ways, has political roots.

Patriarchy is having the power to name.

The concept of "girl-on-girl crime" is perplexing to me, and it happens in many ways. There are those, who refuse to identify with women as a group, preferring the shade of the mythologized men, who want to keep up the status quo.

I'm just too lazy. I wish I could be someone that has wild affairs - all of my favorite nonfiction novels are about these wild affairs and postmarital agonistes - but to be honest, I'm someone that doesn't deal well with instability.

I do think that memoirs by women are reviewed differently and considered somewhat outside of the canon.