A lot of shows fly under the radar for the first couple seasons and then become successful. It doesn't necessarily have any bearing on the success of the show or how much the network is behind it.

This business is hard. People and producers and studios and finance guys get caught up in saying, "Women don't sell movies," or "This person doesn't sell foreign," or "You have to attach guys first," or "People don't want to see women do this." I've heard those things so many times that I've actually heard myself say them, a number of times.

I'd never put all my chips anywhere, because I don't want to close any doors, but I was raised in a very blue-collar family. I was raised by parents who said, 'If you don't go to work every day, you're not contributing', so that's my mentality. I have to work every day; I have to bring home a paycheck.

Most of the characters I play are heavily engulfed in some sort of fantasy world.

I grew up idolizing these men, like Arnold Schwarzenegger. I loved Sly (Stallone). I loved Bruce Willis. These guys embodied everything that action was in the 80s and 90s.

You don't want to go right, if everyone thinks you're going to go right. You go left, on purpose. Sometimes you can't explain why, and you can't explain what left looks like, but you just do it.

I believe that if doors don't open, make new doors. So I also have started producing quite a bit of things as well.