If we say I love you, it may be received with doubt, for there are times when it is hard to believe. Say I hate you, and the one spoken to believes it instantly, once for all. ... Love must be learned, and learned again and again; there is no end to it. Hate needs no instruction, but waits only to be provoked.

I have a great deal of religious symbolism in my stories because I have a very deep sense of religion and also I have a religious training. And I suppose you don't say, `I'm going to have the flowering judas tree stand for betrayal,' but of course it does.

I think I've only spent about ten percent of my energies on writing. The other ninety percent went to keeping my head above water.

And yet, we know how fatal the pursuit of liveliness may be: it may result in ... tiresome acrobatics. ... Flashy effects distract the mind. They destroy their persuasiveness; you would not believe a man was very intent on ploughing a furrow if he carried a hoop with him and jumped through it at every other step. ... When virtuosity gets the upper hand of your theme, or is better than your idea, it is time to quit.

A novel is really like a symphony where instrument after instrument has to come in at its own time, and no other.

If I didn't know the ending of a story, I wouldn't begin. I always write my last lines, my last paragraph first, and then I go back and work towards it. I know where I'm going. I know what my goal is. And how I get there is God's grace.

Life is a game of piquet played in a bramble bush in very bad weather.