In this moment she felt that she had been robbed of an enormous number of valuable things, whether material or intangible: things lost or broken by her own fault, things she had forgotten and left in houses when she moved: books borrowed from her and not returned, journeys she had planned and had not made, words she had waited to hear spoken to her and had not heard, and the words she meant to answer with. . . .

I want to live in a world capital or the howling wilderness.

I don't believe in intuition. When you get sudden flashes of perception, it is just the brain working faster than usual. But you've been getting ready to know it for a long time, and when it comes, you feel you've known it always.

I think joy is just as instructive as pain, and I like it better. I never meant to suffer any more than I could help; my nature was meant for happiness, a daylight art and living.

You waste life when you waste good food.

Human life itself may be almost pure chaos, but the work of the artist is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning.

I have a great deal of religious symbolism in my stories because I have a very deep sense of religion and also I have a religious training. And I suppose you don't say, `I'm going to have the flowering judas tree stand for betrayal,' but of course it does.