Even St. Teresa said, "I can pray better when I'm comfortable," and she refused to wear her haircloth shirt or starve herself. I don't think living in cellars and starving is better for an artist than it is for anybody else.

In this moment she felt that she had been robbed of an enormous number of valuable things, whether material or intangible: things lost or broken by her own fault, things she had forgotten and left in houses when she moved: books borrowed from her and not returned, journeys she had planned and had not made, words she had waited to hear spoken to her and had not heard, and the words she meant to answer with. . . .

I have a great deal of religious symbolism in my stories because I have a very deep sense of religion and also I have a religious training. And I suppose you don't say, `I'm going to have the flowering judas tree stand for betrayal,' but of course it does.

Life comes first, an art not rooted in human experience is not worth a damn, but different kinds of minds have different kinds of experience, and all I ask of any man is validity; and there should be place for every type and kind of mind.

Education must be taken out of the hands of rich illiterates, third rate politicians, and put where it belongs: in the care of scholars. At present the whole University system is rotten to the core, and an appalling waste of time, energy and money.

You are right, none of us live enough, and sometimes I think it is because we mistake hurrah and hullabaloo for experience, we get a sock in the eye and think it is a broken heart.

Don't you love being alive?" asked Miranda. "Don't you love weather and the colors at different times of the day, and all the sounds and noises like children screaming in the next lot, and automobile horns and little bands playing in the street and the smell of food cooking?" "I love to swim, too." said Adam. "So do I," said Miranda, "we never did swim together.