In any country, corruption tends to increase when more respectable means of social advancement break down.

When I pick a story, I'm very much aware of the larger issues that it's illuminating. But one of the things that I, as a writer, feel strongly about is that nobody is representative. That's just narrative nonsense. People may be part of a larger story or structure or institution, but they're still people. Making them representative loses sight of that. Which is why a lot of writing about low-income people makes them into saints, perfect in their suffering.

In my kind of reporting work, you don't parachute in after some big, terrible event, which is important and has to be covered, but offers only a glimpse. It's the kind of work in which you ask, what is my understanding of how the world works, and where can I go to see these questions get worked out in individuals' lives? That was really the question for me: whether I had anything to add to what had already been written.

Everyone in Annawadi talks like this: 'Oh, I will make my child a doctor, a lawyer, and he will make us rich'. It's vanity, nothing more. Your little boat goes west and you congratulate yourself, 'what a navigator I am!' And then the wind blows you east.

When I'm engaged in a story my health is not a big deal, but when I'm not doing anything, if you sit me down, I can get tied up in my own medical dramas. So I much prefer to work.

I was spending a lot of time in Mumbai after I met my husband, who is Indian, and while parts of the city were prospering like crazy, I couldn't quite make out how the new wealth had changed the prospects of the majority of city residents who lived in slums. So after a few years I stopped wondering and started reporting.

.. becoming attached to a country involves pressing, uncomfortable questions about justice and opportunity for its least powerful citizens.