Without my husband's costumes I wouldn't have known how to accomplish what I saw in my own mind's eyes for choreography. And then seeing our choreography and knowing the background of it I am sure helped my husband a great deal with what he designed for us.

I certainly feel my career was a great career because it inspired so many many people, literally hundreds of people to follow a new kind of life and to realize that they could make out and advance their own professional and private and social lives.

I wasn't concerned about the hardships because I always felt I was doing what I had to do, what I wanted to do and what I was destined to do.

You dance because you have to. Dance is an essential part of life that has always been with me.

In knowing how to overcome little things, a centimeter at a time, gradually when bigger things come, you're prepared.

Don't think you are going to go on forever because you are not and begin to plan something that will compensate as you reduce your capacities to leap or turn on this or that or the other, begin thinking of something else.

We don't intend to always keep this necessarily African oriented. Originally I had hoped to have African American Indian of this area, and the Appalachian of this area, but at the same time, just as we have the Haitian room, we will always have room for another exhibit.