...the long train ride was like traveling through limbo. You weren't anywhere when you were on a train, she decided. You weren't where you had been, and you weren't yet where you were going. You were nowhere. It might be beautiful outside the window-and it was, she had sense enough to realize that-but it wasn't anywhere to her, just a scene passing by that was framed by the train window. (p160)

Miss Edmunds was one of his secrets. He was in love with her. Not the kind of silly stuff Ellie and Brenda giggled about on the telephone. This was too real and too deep to talk about, even to think about very much.

It's like the smarter you are, the more things can scare you.

A good story is alive, ever changing and growing as it meets each listener or reader in a spirited and unique encounter, while the moralistic tale is not only dead on arrival, it's already been embalmed. It's safer that way. When a lively story goes dancing out to meet the imagination of a child, the teller loses control over meaning. The child gets to decide what the story means.

I think if a book has the power to move a reader, it also has the power to offend a reader. And you want your books to have power, so you just have to take what comes with that.

Reading can be a road to freedom or a key to a secret garden, which, if tended, will transform all of life.

Shh" he said. "Look." "Where?" "Can't you see'um?" he whispered. "All the Terabithians standing on tiptoe to see you." "Me?" "Shh, yes. There's a rumor going around that the beautiful girl arrving today might be the queen they've been waiting for.