The thing I have learned through the years is that one idea 'doth' not a novel make. A novel must be several seemingly unrelated ideas that somehow magically come together to create the fabric of the story.

...the long train ride was like traveling through limbo. You weren't anywhere when you were on a train, she decided. You weren't where you had been, and you weren't yet where you were going. You were nowhere. It might be beautiful outside the window-and it was, she had sense enough to realize that-but it wasn't anywhere to her, just a scene passing by that was framed by the train window. (p160)

It is not enough to simply teach children to read; we have to give them something worth reading. Something that will stretch their imaginations- something that will help them make sense of their own lives and encourage them to reach out toward people whose lives are quite different from their own.

The thing I have learned through the years is that one idea 'doth' not a novel make. A novel must be several seemingly unrelated ideas that somehow magically come together to create the fabric of the story.

Miss Edmunds was one of his secrets. He was in love with her. Not the kind of silly stuff Ellie and Brenda giggled about on the telephone. This was too real and too deep to talk about, even to think about very much.

a novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun.

We're alike, Jess would tell himself, me and Miss Edmunds . . . We don't belong at Lark Creek, Julia and me.