I gave away the Irish dancing, which is pivotal. It's just so silly and fun and nice to do because it kind of lifts the energy for us, right at the point where the energy could start to take a nose dive.

I'm still wondering about the Phantom in the chair, you know at the end of Phantom [of the Opera], so I guess that's my sort of idiocy. I still haven't figured out how they do that.

I don't know if everybody does, but I have a really hard time listening to myself on recordings, unless we've spent weeks and weeks and weeks listening and mixing.

I'm always having to check myself and make sure I'm not over singing in some ensemble thing that will render me unavailable for participation in the stuff where it really counts.

I hate this expression, but - "thinking outside the box," in terms of how to market and put a Broadway show out into the - allow it to reach the target audience, who can't necessarily spend $120 to come see it.

I'm not in "Bend and Snap." But, I will say that when I first heard they were making Legally Blonde into a musical, I thought, Well, of course, there's going to be a bend and snap number, because it's just, I think, one of the most natural moments in the movie to expand into a musical number.

Anything that requires thought is just too much.