When you speak up about any sense of unfairness or injustice, you're told that you're overreacting, you're too angry, too silly-shut up already. It takes a tremendous amount of fortitude to be able to live in this world as a woman, let alone a woman who wants things to change.

I'm really going off of watching John Waters speak one time and I remember he just kind of talked and it was totally interesting. I wanted to hear about his life and how he got started and when did he think he made it, stupid stuff like that. And what his relationship with the mainstream is because he's so far out there, but then he became part of the mainstream in this weird way. He was really funny, though. Yeah, I have to work on my jokes.

It feels amazing and beautiful that music can have such an importance on the way that people form social groups. Music can change people. People can change the world.

I felt it was really, really important, not just in the vein of feminist erasure or whatever but also just as an artist that I honored my work.

I got hit up for a tampon commercial and so I asked [JD and Jo] if they had anything. Jo sent that over and I was like, "I love this track. Oh my god. It's so upbeat. It's so positive. It would be so great for a tampon commercial." That commercial never came through, so then I just had it. I was like, "That would be great for a Hillary [Clinton] song." I think it's so funny that it could be a tampon commercial.

I hate the attitude of, 'oh we already have a Lydia Lunch, so we do we need a Bikini Kill.' Well, there's like 2 hundered million all-male bands writting 'baby baby I love you, let me drag you around on my ankle.' Is that enough already? Duh!

I realized that calling yourself a feminist or not calling yourself a feminist, just by being in a band of all girls, it's all you talk about.