I talked a lot early on in my career about intersectionality and how racism and classism and sexism and homophobia and capitalism are all connected with each other, and they're these crazy systems that are feeding on each other and are also damaging. I can't even go into the whole spectrum of it. But I feel like kids today are so much more savvy about that conversation. And I'm so thrilled when I get to meet younger people who are doing that so much better than I did.

I think that's such an important message, especially for younger women, to know, 'I don't have to come out of the womb painting like Frida Kahlo. My very first thing that I make isn't going to be an around-the-world sensation.' You have to paint a hundred really ugly, barfy, diarrhea paintings before you come up with that one where you start to really get into your groove.

You have these Stepford wives who are negating other women. But that's their job. [Donald] Trump is the one who is to blame, no matter how much I enjoy watching his surrogates fail massively.

What I've heard from younger women and women my age is that the albums changed their lives or it was the first time they had heard feminism that they could relate to. So that's great.

I won't stop talking. I am a girl you have no control over. There is not a gag big enough to handle this mouth.

I was lucky enough to go to college for four years. At what was supposedly a hippie school with no tests and no grades, blah blah blah, I wasn't learning that. I was taking photography classes. That stuff just wasn't talked about. It was like, "Does this picture have the right about of grey in it?" It wasn't even an art school. It was a state-run school.

I have no clue. I just know I would want to play the least amount of shows that the most people would be able to come to.