I don't like every other musician's work. The same way that filmmakers don't like every other filmmakers' work. Just because I'm a feminist doesn't mean I'm gonna say that I like every other woman's work, or that I appreciate another statement that another woman publicly made.

I felt like going out on the road and mixing it with music - which is something young people are always really interested in - would be a good way to proselytize. It was like feminist evangelism.

I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.

I don't like every other musician's work. The same way that filmmakers don't like every other filmmakers' work. Just because I'm a feminist doesn't mean I'm gonna say that I like every other woman's work, or that I appreciate another statement that another woman publicly made.

I always knew she was being funny, but when I tell my therapist that my mom played the trust game with me and let me fall on the ground, my therapist does not find that funny. She's like, "That's the reason for everything! That's why you have such a hard time with trust!" And I'm like, "I don't really have a hard time with trust. I thought it was funny."

I think this whole Billy Bush thing just pushed women over the edge because it's so visceral.

I wanted to say to myself as much as anyone else that we made art.