I think that's such an important message, especially for younger women, to know, 'I don't have to come out of the womb painting like Frida Kahlo. My very first thing that I make isn't going to be an around-the-world sensation.' You have to paint a hundred really ugly, barfy, diarrhea paintings before you come up with that one where you start to really get into your groove.

I don't need to convince men that feminism is important, that just isn't a goal of mine. I can't even have that conversation of whether or not it's important, because if someone asks me that... I don't want to have a conversation with them until they grow up.

If I were a supervillain, I would end capitalism, racism, sexism, homophobia, transphobia... but I guess that's a little too obvious and not villain-y enough. Because that's actually being a superhero. I would break down poverty with my machete; I would end world hunger.

I didn't go to high school, I didn't go to college, I didn't have women's studies. All of my feminist ideals and education have been built around art and my friends and community. And so it's still growing.

I am not Lyme disease, that's not who I am, I'm still a feminist artist, but this is a part of my story too, and I'm not going to keep it out to look cooler.

It's the idea that we as people can control our own destinies. The government and the corporations, more even than the government, can't dictate what artwork we're supposed to like or what comedy we're supposed to laugh at.

I was lucky enough to go to college for four years. At what was supposedly a hippie school with no tests and no grades, blah blah blah, I wasn't learning that. I was taking photography classes. That stuff just wasn't talked about. It was like, "Does this picture have the right about of grey in it?" It wasn't even an art school. It was a state-run school.