My illness has changed me - I've always thought "life is short and I wanna make as much of it as I can," but I really don't have time to mess around. This has really been a wake-up call in terms of what's important, and I'm working hard to figure that out. I need to get better at not doing favors for people all the time. It's hard because there's so many people who have helped me get to the point where I'm in a band that people wanna come see, or where people pay money to see me lecture.

I think that feminism is in cycle. Feminism rotates between backlash and interest.

Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.

I think that it's so powerful for me to go see someone like Bridget Everett at Joe's Pub and watch her weave her songs in and out of these funny, tragic stories - you can talk and sing and it's not this horrible offense, you're going to get thrown in artistic jail.

I got hit up for a tampon commercial and so I asked [JD and Jo] if they had anything. Jo sent that over and I was like, "I love this track. Oh my god. It's so upbeat. It's so positive. It would be so great for a tampon commercial." That commercial never came through, so then I just had it. I was like, "That would be great for a Hillary [Clinton] song." I think it's so funny that it could be a tampon commercial.

What (some) bands do is go, 'It's not important that I'm a girl, it's just important that I want to rock.' And that's cool. But that's more of an assimilationist thing. It's like they just want to be allowed to join the world as it is; whereas I'm more into revolution and radicalism and changing the whole structure. What I'm into is making the world different for me to live in.

Sexism and racism and homophobia and classism are so naturalized. All these stereotypes make people think it's just normal that straight white men are getting all the breaks.