There's still a lot of misogynist pop music out there, and I think that hearing something that's so explicitly feminist and so angry - when we're still growing up in a culture where girls and women are not supposed to be angry - is a real revelation for young women.

I felt like going out on the road and mixing it with music - which is something young people are always really interested in - would be a good way to proselytize. It was like feminist evangelism.

I realized that calling yourself a feminist or not calling yourself a feminist, just by being in a band of all girls, it's all you talk about.

Every band I've been in, it's just become my total life. I feel like a child star - I've missed out on so much. I never got to play Grand Theft Auto and get stoned every day. I figure at 45 I should probably start doing that.

I was in a band in the '90s called Bikini Kill, and we were so freaked out about documentation then, and there was the whole thing, not just about the male gaze, but that people were going to misrepresent you... a kind fear of the mainstream that a lot of us had.

Since I loved underground music, I tried to carve a space for feminism within it. Those were my hopes.

I think the [fan] access is complicated, because it brings wonderful things into my life, and it brings really negative things into my life. I just try to keep the negative stuff at arm's length. Laugh at it and walk away.