I think that it's so powerful for me to go see someone like Bridget Everett at Joe's Pub and watch her weave her songs in and out of these funny, tragic stories - you can talk and sing and it's not this horrible offense, you're going to get thrown in artistic jail.

I got hit up for a tampon commercial and so I asked [JD and Jo] if they had anything. Jo sent that over and I was like, "I love this track. Oh my god. It's so upbeat. It's so positive. It would be so great for a tampon commercial." That commercial never came through, so then I just had it. I was like, "That would be great for a Hillary [Clinton] song." I think it's so funny that it could be a tampon commercial.

It's the idea that we as people can control our own destinies. The government and the corporations, more even than the government, can't dictate what artwork we're supposed to like or what comedy we're supposed to laugh at.

I felt it was really, really important, not just in the vein of feminist erasure or whatever but also just as an artist that I honored my work.

The cool thing about the Internet is that it's allowing women more access to their own history.

We support Hillary [Clinton]. We're saying that strongly. "I'm with her," I don't think that we can be any less strident. She's the best person for the job.

I'm sure if you see things you wrote when you were 19, you cringe. I saw stuff like angry poetry that I wrote when I was mad at my father, or photos I took where I smeared period blood on myself. It's embarrassing.