Every time I get sexually harassed, I'm supposed to turn around and yell at the person, but there are safety issues. Sometimes the best thing you can do it just walk right past that person and have a great day. But sometimes you feel like you really need to say something.

Later as things progressed and I saw the direct correlation between being able to keep making records and having people know about the music, I became more interested in using popular media as a way to get the word out.

Younger feminists actually care about stuff that came before them, the same way that I totally cared about and loved and felt so lucky to have access to the feminism that came before me. To have younger people take what me and my friends have done, and to say 'We have access to that, but we're going to put that through our own Internet generation filter and we're going to make it into something that speaks to us and is a lot smarter.'

So many women have experienced horrific forms of male violence throughout their lives, and why isn't there a song about how you get depressed because of it?

When you're the person who's kind of in charge of everything a lot of the time, it's sometimes nice to get bossed around. It's sometimes nice to have somebody say, "This is what I want you to do" and to stretch your abilities.

I made the decision that my contribution needed to be more musical than political. My music was enough, politically. Art matters. Art was enough. My music was enough to say what I had to say.

My mom was a housewife, and wasn't somebody that people would think of as a feminist, and when Ms. Magazine came out we were incredibly inspired by it. I used to cut pictures out of it and make posters that said, "Girls can do anything", and stuff like that, and my mom was inspired to work at a basement of a church doing anti-domestic violence work. Then she took me to the Soidarity Day thing, and it was the first time I had ever been in a big crowd of women yelling, and it really made me want to do it forever.