A lot of artists are just really stupid about money, and it's really hard to find somebody who kind of thinks of shuffling money around and doing business as an art.

Younger feminists actually care about stuff that came before them, the same way that I totally cared about and loved and felt so lucky to have access to the feminism that came before me. To have younger people take what me and my friends have done, and to say 'We have access to that, but we're going to put that through our own Internet generation filter and we're going to make it into something that speaks to us and is a lot smarter.'

There's still a lot of misogynist pop music out there, and I think that hearing something that's so explicitly feminist and so angry - when we're still growing up in a culture where girls and women are not supposed to be angry - is a real revelation for young women.

I wouldn't want to play Miss Hannigan. I'm not a villain. She's mean to little children! I can't do that. That would disrupt my brand.

I think that the Internet is really cool because a lot of young feminists don't feel like they have to reinvent the wheel.

Obviously, we're really upset about the state of the election. It's horrifying, as everybody knows, that we could have a totally fascist president.

I felt like going out on the road and mixing it with music - which is something young people are always really interested in - would be a good way to proselytize. It was like feminist evangelism.