On the other hand, I believe there's hope, because the breakdown and the repair are happening simultaneously.

One should make morals judgements for oneself.

I did a pilot for Anything But Love in 1988 that didn't sell.

The Communist regime didn't consider this to be a shining moment in history and assigned no heroism to it. They classified it as merely an accident.

I'm drawn to provocative characters that find themselves in extreme situations. And I think I'm drawn to that consistently.

When I made my first film, I didn't think of it as directing, so it wasn't like I set out to become a director.

I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.