I feel grateful that the person I end up working with a lot is Paul Rudd. He's a prince among men, and so talented, and generous, and effortless.

It's so fun to play something that feels reckless - not all the time, but I really must be acting out something that I can't do in real life.

I feel like I've been able to be my true self and discover what I can honestly bring to the table by working with other women.

I have two kids, and when my oldest was first born, it was the most vulnerable feeling in the world. I remember taking him to his first doctor's appointment, and on the sheet, it said "mother," and I put my mom's name. I was like, "Oh, right, I ... I'm the mother!" You just feel so vulnerable.

Even the shows or movies that we know are not going to change the world, I love this. I love 'em. I'm a movie fan. I'm a nerd of any kind. I love a big studio comedy as much as I love the teeniest tiniest of indie. I'm not a snob in that way. I really do like a big, big studio comedy.

Free Agents' was an awesome experience. I never play the glam girl in anything, so that was a new experience. I would walk into one of my trailers and it would be like Spanx, a spray-tan gun, and chicken cutlets. I would have hair extensions. It was hilarious. Every day felt like I was turning into an awesome drag queen.

There was something about the Cleveland Play House that was the holiest place - you know, with the ghost light on the stage and the brick. It was just the most beautiful theater in the world.