I'm pretty sure I can say that no one in my family ever asked Demetrie what it felt like to be black in Mississippi, working for our white family. It never occurred to us to ask. It was everyday life. It wasn't something people felt compelled to examine. I have wished, for many years, that I'd been old enough and thoughtful enough to ask Demetrie that question. She died when I was sixteen. I've spent years imagining what her answer would be. And that is why I wrote this book.

Some readers tell me, 'We always treated our maid like she was a member of the family.' You know, that's interesting, but I wonder what your maid's perspective was on that.

Here's to new beginnings," Stuart says and raises his bourbon. I nod, sort of wanting to tell him that all beginnings are new.

This woman talk like she from so deep in the country she got corn growing in her shoes.

I come home that morning, after I been fired, and stood outside my house with my new work shoes on. The shoes my mama paid a month's worth a light bill for. I guess that's when I understood what shame was and the color of it too. Shame ain't black, like dirt, like I always thought it was. Shame be the color of a new white uniform your mother ironed all night to pay for, white without a smudge or a speck a work-dirt on it.

Stuart stands and says, 'Come here,' and he's on my side of the room in one stride and he claps my hands to his hips and kisses my mouth like I am the drink he's been dying for all day and I've heard girls say it's like melting, that feeling. But I think it's like rising, growing even taller and seeing sights over a hedge, colors you've never seen before.

It seems like at some point you'd run out of awful.