I don't love horror movies with something surreal happening. That doesn't work for me. What's terrifying is something that could actually happen to me and what I would do. I don't know how to throw a punch, and I've never had to do it.

I finished The Freebie, which was a small relationship "talky" movie, and I was like, "I just want to get out of the house! And I want there to be some action, and I want some tension in there!"

I don't know what's wrong with me, but like, the second I stop working, I have a panic attack, so it's good for me to be thinking of projects ahead of time and lining things up.

I think there are certain tenets set in place for all different types on genres. For thrillers, women usually die first. I can't say exactly why, and it's kind of a bummer... But I also can't explain why the wallflower girl in the romantic comedy always gets the guy in the end. That's just the way those movies go.

Whole class of filmmakers, they're all graduating to a new level of filmmaking, which I think is awesome.

I'd like to make mistakes on my own dime, and not have a herd of people tell me what I'm doing wrong. and I'm also still trying to find and develop my voice as a filmmaker, and I think that's easier to do on your own terms, than trying to satisfy a bunch of people that are paying for the movie. That being said, I'm certainly open to moving into that world.

I love profanity, but I think if it's used too much, it just sounds a little trashy. I think it's more effective when it's dropped intelligently. I like intelligent profanity.