The story of survival is a nice metaphor for our experience making this movie, finding your inner strength and powering through and getting to the endpoint alive.

When you start using more expensive cameras, everything around it gets more expensive, which is something we hadn't necessarily taken into account beforehand. Your lighting package gets way more expensive, and then coloring it is going to be more expensive. So I think all of that will essentially be cushioning our camera package. Budgets beget budgets, and expenses beget expenses.

You can't sit there and feel bad for yourself and say, "But, it's just not coming to me." That's an instinctual thing to do because that's the way the business normally works. But, when you've got a good brain on your shoulders, I think you can make it happen.

I think I'm still trying to find my voice as a filmmaker and finding stories to tell.

It takes no prisoners. We had to completely change wardrobe for the girls because we had summer wardrobe set and it was so frigidly cold while we were shooting. And the bug population was through the roof, that summer. It was just silly! The fact that we even survived at all is shocking. The fact that we came out of it with a movie that I really like is awe-inspiring.

You can be feminine without being a victim. You can be sexy and use your big-girl voice at the same time.

I've got a couple of full-time jobs, since I'm raising a kid, so it's a lot.