The story of survival is a nice metaphor for our experience making this movie, finding your inner strength and powering through and getting to the endpoint alive.

I worked with the same producer from The Freebie, my cinematographer was one of my shooters from The Freebie. I was really aiming to tackle a genre, but sorta tackle it in my own way, and put my stamp on it, and the way that I like to see movies made.

The director of 500 Days of Summer is doing the Spider-Man movie. That's not necessarily the movies I want to make, but it's all about the story, and if you connect to the story, and you feel you can tell that story better than anyone else, then great. Jon Favreau killed Iron Man, I loved it.

The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.

There are very few shows that show women talking like strong, sassy women. Do you know what I mean? 'Sex and the City' started doing that, and that was why that was such a huge hit.

There are certain tenets set in place for all different types on genres. For thrillers, women usually die first.

I get very nostalgic for times and places and experiences, but I have a wonderful group of core friends and family who I love and adore, so I don't mourn the loss of any particular friendship. I think they're all part of a path, and the ones that really mean something are still important in my life.