I worked with the same producer from The Freebie, my cinematographer was one of my shooters from The Freebie. I was really aiming to tackle a genre, but sorta tackle it in my own way, and put my stamp on it, and the way that I like to see movies made.

You can't sit there and feel bad for yourself and say, "But, it's just not coming to me." That's an instinctual thing to do because that's the way the business normally works. But, when you've got a good brain on your shoulders, I think you can make it happen.

I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.

The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.

I am a very talented belcher. Very deep and bassy.

I'd also take any acting job...well, not any acting job, that's not true. I'd take a cool acting job.

If people want to talk about anything I do, they can give it any name they want. As long as they're talking about it, I think it's great.