I'd like to make mistakes on my own dime, and not have a herd of people tell me what I'm doing wrong. and I'm also still trying to find and develop my voice as a filmmaker, and I think that's easier to do on your own terms, than trying to satisfy a bunch of people that are paying for the movie. That being said, I'm certainly open to moving into that world.

I really like oysters, and I won't eat them alone. They're just a weird thing to eat by yourself.

The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.

I think I'm still trying to find my voice as a filmmaker and finding stories to tell.

I worked with the same producer from The Freebie, my cinematographer was one of my shooters from The Freebie. I was really aiming to tackle a genre, but sorta tackle it in my own way, and put my stamp on it, and the way that I like to see movies made.

I finished The Freebie, which was a small relationship "talky" movie, and I was like, "I just want to get out of the house! And I want there to be some action, and I want some tension in there!"

I will never be a skinny waif as I am physically unable to say "no" to free booze and snacks. Oh well.