I think there are certain tenets set in place for all different types on genres. For thrillers, women usually die first. I can't say exactly why, and it's kind of a bummer... But I also can't explain why the wallflower girl in the romantic comedy always gets the guy in the end. That's just the way those movies go.

I really want women to throw their shoulders back and stand up straight and use their big girl voices and not feel like they're compromising their femininity to be strong and smart.

It takes no prisoners. We had to completely change wardrobe for the girls because we had summer wardrobe set and it was so frigidly cold while we were shooting. And the bug population was through the roof, that summer. It was just silly! The fact that we even survived at all is shocking. The fact that we came out of it with a movie that I really like is awe-inspiring.

[It is nice] to explore someone's will to survive, the ferocity of loyalty, how far you would go to protect the ones you love... I believe women have more power than we give ourselves credit for... We have been known to lift cars off of babies! That's incredible.

If you're a woman, just make a freaking good movie. I don't believe in the women who say, 'It's too hard, I'm getting shot down.'

I think I'm still trying to find my voice as a filmmaker and finding stories to tell.

Steve Rannazzisi, Nick Kroll, Paul Scheer, Jon Lajoie - and they're such funny guys that they bring their own sort of twist to it all.