I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.

There is something really nice about learning that you can take the reins of your life and your career. There are a lot of times, doing what we do, that you feel no control and get very panicky feeling. It's nice to know that you are able to do it on your own.

It's cool to get some more energy going and more interest. It's definitely more than it was, still not as much as I'd love it to be, but things are picking up and interesting projects are coming my way, and I love that.

There are very few shows that show women talking like strong, sassy women. Do you know what I mean? 'Sex and the City' started doing that, and that was why that was such a huge hit.

When you start using more expensive cameras, everything around it gets more expensive, which is something we hadn't necessarily taken into account beforehand. Your lighting package gets way more expensive, and then coloring it is going to be more expensive. So I think all of that will essentially be cushioning our camera package. Budgets beget budgets, and expenses beget expenses.

I have always had this secret fantasy of being a Bourne girl or Bond girl, and I've never even gotten called in on one of those roles.

Steve Rannazzisi, Nick Kroll, Paul Scheer, Jon Lajoie - and they're such funny guys that they bring their own sort of twist to it all.