Every role that you don't get burns you for a while.

Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.

I found it to be more challenging to be in a huge effects movie, because a lot of the things aren't there.You have to trust the director and react to nothing.

I'm so spoiled - I must have a Starbucks vanilla latte every day.

I'm not strictly vegetarian, but meat doesn't play a big part in my diet.

It's kind of fun being the cute, little one. In fact, I'm finding it hard to grow out of that.

I used to get so worried that if a scene didn't go a certain way, then it was horrible. But then I realized that it was better to give the director options in the editing room than just being locked into how it's supposed to be.