I've had frank conversations with theaters who say, 'We love your play, but we've already done a play by another black person this year,' or 'I don't think the kind of people you write about are the ones our audience wants to see'... Up and coming young black female writers are still struggling to have their voices heard and have their plays produced.

We expect our leaders to be godlike. But I feel that when people try to sanctify leadership, it puts it out of the realm of regular people. And that's where the greatest leaders come from - from the people.

Theatre is an exclusive place that tends to be dominated by white men, or dying white men.

You don’t know what’s going to happen in the end, and that’s what the best plays are.

Like most playwrights, I hate talkbacks with a passion that can burn a hole through hell.

I always say that I'm a writer who writes more from place than race.

Sometimes, unfortunately, hatred is more powerful than progress.