I think [indications of vulnerability are] why so many portraits work when they're difficult: we believe we're presenting ourselves one way, but the camera always reveals something more vulnerable, despite our best efforts.

There's always been something illicit about the way I work. I'm photographing people I don't know, when nobody else is home - there's a necessary degree of secrecy.

I think [indications of vulnerability are] why so many portraits work when they're difficult: we believe we're presenting ourselves one way, but the camera always reveals something more vulnerable, despite our best efforts.

I have a terror of things being nice and knowing what to expect. Making a photograph is a license to have experiences that I would not otherwise have.

This is the way photography can be cruel... in the sense that it describes everything, even the things we are not necessarily aware we're revealing.