When I first started out, it was very, very difficult to even get in the room with directors or casting directors because they would see that I hadn't been to drama school and wouldn't want to see me. Now, I feel like it's changing. We have this new generation of a lot of writers, directors and actors who are just breaking through, and they're doing it for the passion.

There are so many things happening nowadays that you've seen in films from years ago, like cloning and all of those things are actually happening now, so we can kind of visualize it a lot more, and I think our generation particularly know that we're going to be a big part of that, we we're kind of fascinated with how human beings will fare in the world.

I wanted to do an action-y thing, purely because I'm the least fit, healthy person in the world. I wanted to prove to myself that I could actually run and not get out of breath and collapse. I wanted to push myself, in that way.

I didn't want to be the girl in the group that couldn't do as much as the boys. I'm very competitive like that.

I felt there needed to be a show for teenagers that didn't make them feel judged. 'Skins' never tried to preach. It allowed young people to make their own decisions about what to do and whether it was right or wrong. Young people really respond to that, and that's what sets 'Skins' apart.

My mum is Brazilian and very proud. I'd love to do a Brazilian film. I've been brought up in the Brazilian culture. My mum brought me up on my own, I cook Brazilian food, I've never spoken a word of English to my mother.

It was really cool to work with Dakota Fanning. I've watched her grow up and I've always loved her films, loved her. It was amazing working with someone who was American as well, because obviously it's going to be a different energy straightaway. We got on really well; she's so professional and hardworking.