In art there is a need for truth, not sincerity.

In art there is a need for truth, not sincerity.

To the Suprematist the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling, as such, quite apart from the environment in which it is called forth.

I have broken the blue boundary of color limits, come out into the white; beside me comrade-pilots swim in this infinity.

Painting is the aesthetic side of the object but it has never been original, has never been its own goal.

Painters were also attorneys, happy storytellers of anecdote, psychologists, botanists, zoologists, archaeologists, engineers, but there were no creative painters.

I regard photography and film simply as new technical means which painters must absolutely make use of, just as from time out of mind they have made use of brush, charcoal and color. It is certain, however, that photography and film must become as evocative for the sensibility as pencil, charcoal and brush. (1927)