How do I confront aging? With a wonder and a terror. Yeah, I'll say that. Wonder and terror.

There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.

Because we're actors we can pretend and fake it, but I'd rather the intimate investment was authentic.

It's the journey of self, I guess. You start with this kind of loner, outside guy, which a lot of people can relate to, and he goes out into the world.

I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.

Artists are losing the choice to use film. People have a love for it - the grain, how it feels, the texture.

Life is good when you have a good sandwich.