I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.

And it's easy to stay grounded. The ground is very close. And we walk on it every day.

The simple act of paying attention can take you a long way.

I guess living without love, without experiencing it or being able to give it is pretty strong punishment.

The impact of falling in love for the first time has a special place in our arhitecture.

Energy can't be created or destroyed, and energy flows. It must be in a direction, with some kind of internal, emotive, spiritual direction. It must have some effect somewhere.

It's hard to act in the morning. The muse isn't even awake.