On a good night, I get underwear, bras, and hotel-room keys thrown onstage... You start to think that you're Tom Jones.

I try not to think about my life. I have no life. I need therapy.

I don't know if that's philosophy or if that's something else, but to me it [digital filming] has an emotional feeling , that this materiality, the loss of the materiality.

One interview would lead us to another interview, which led us to another interview. We had the questions and the idea of chonicling this moment in time. But we didn't have a movie, per se. As we started interviewing people, it started to kind of define itself.

We are the sum of who we are. We pick certain things at certain moments that influenced us.

The acting experience and the collaborating and creating the world, working on the piece, they're the same joys.

There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.