Grief changes shape, but it never ends.

I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.

Grief changes shape, but it never ends.

Because we're actors we can pretend and fake it, but I'd rather the intimate investment was authentic.

I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.

Performing an exorcism was like changing your oil. It's a drag, but necessary.

And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.