When I don't feel free and can't do what I want I just react. I go against it.

But I think we're also just talking about the literacy of the audience. The visual literacy of the audience. They've seen so many images now, especially here in the States. There's so much to look at, to watch. So the visual storytelling literacy is harder to impress.

I mean really wonderful. In teaching. Personal epiphanies. About life. About different perspectives-help with different perspectives that you have. You know what I mean? Relationships to nature. Relationships with the self. With other people. With events.

And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.

Life and art had a nice parallel, in the sense of coming together as strangers who are separate in prison who need to work together, getting to know each other.

I hope I get the bliss. And I know I'm going to have to work for it. But I've got to say, really, I have no kind of, can I say "secular religiosity"? ... I don't have a denominational sight.

One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology.