He's a great - he's a great professor. He retired recently, but.But Peter Halley as well.

I pay my models to work with me, so there becomes this weird sort of economic bartering thing, which made me feel really sort of uncomfortable, almost as though you were buying into a situation - which, again, is another way of looking at those paintings. The body language in those paintings is a lot more stiff.

I think that just the nature of art education in schools, it's about packs, you know? Like, we're young wolves running together, creating a consensus. And consensus is antithetical to the art process.

There's something really cool about being able to fly to South Africa and watch one of the most talented African footballers wearing a shoe on the field.

We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's just sort of in our DNA. And so portraiture is a very human act.

I have been painting models with black and brown skin only for the past years. So, I did already have this experience, this is how I have come to the paintings I do now.

I guess art is in the eye of the beholder.