You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me - which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn't do it.

[The press] said to me yesterday 'How does it feel to be called anorexic?' and I had no idea that I was. I'm not saying there aren't people in the film industry that suffer from it, because I am sure that there are. But I'm quite sure I don't have it.

It's good to know that other people think differently, and that's what makes the characters interesting.

I worked with John Maybury on The Jacket and I think he's an extraordinary film-maker. I read the first drafts of this piece when I was working on The Jacket, and we'd so fallen in love with him that we thought he was the only person that should direct this! We wrote poems for him, we sent him champagne and cakes. Four years later he finally read it.

You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me - which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn't do it.

If I don't do this film. I'll be acting in corsets for the next 20 years.

You live with a writer [a mother], and you grow up with their words, their kind of fantasies, and I'd pretty much seen every single one of her plays, and been in a lot of rehearsal rooms, so it felt very natural and easy. It was lovely to get an opportunity to do that professionally as well.