You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me - which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn't do it.

In the movie, you're moving, you have personality, you don't have to be great looking.

I worked with John Maybury on The Jacket and I think he's an extraordinary film-maker. I read the first drafts of this piece when I was working on The Jacket, and we'd so fallen in love with him that we thought he was the only person that should direct this! We wrote poems for him, we sent him champagne and cakes. Four years later he finally read it.

I would be extremely stupid if I said that my looks had absolutely nothing to do with what I do, it [moviemaking] is a visual medium. I'm perfectly aware of that, the face and the body help. Of course they do.

I find it difficult to see the romance in digital.

I don't want to deny my femininity. But would I want to be a stay-at-home mother? No. On the other hand, you should be allowed to do that, as should men, without being sneered at.

I always find it much easier when there's one person whose vision you're following, as opposed to many people.