A lot of the audience know that magic tricks are largely sleight of hand stuff, but they're intrigued by the mind stuff. They understand some of the principles behind it . . . but they're confused by how it's all mixed together onstage, which is good for me.

I don't pretend that I can read minds. I don't believe anybody can read minds. In other words, I don't believe in psychics.

A lot of the audience know that magic tricks are largely sleight of hand stuff, but they're intrigued by the mind stuff. They understand some of the principles behind it . . . but they're confused by how it's all mixed together onstage, which is good for me.

I like pushing the envelope. I like pushing myself and the audience, whether it's a TV show or live. I like to throw people over the edge of the cliff and scare the wits out of them, but then pull them back and make them safe.

TWINS by Nefesch is a fantastic piece of truly impromptu mentalism which will only be performed by fearless performers. Highly recommended!

Magic is all about directing attention. If I didn’t want you to look at my right hand then I don’t look at it.

Studying neuro-linguistic programming is what teaches you how to implant and extract thoughts. Mixing psychology, hypnotism and magic somewhat goes into this area called mentalism, which is what I mostly do. It’s magic of the mind.