I was accepted to Colorado State University in Fort Collins, which is a terrific Aggie school, and they had a great forestry program. But when I saw the syllabus and realized what I was going to actually have to be studying, there was a lot of science! If you want a degree in forestry, it's basically a science degree. And I just thought, "No, no, no, wait a second. Never mind!"

I mean, it [Southern Comfort] is basically a story about the folly of our misadventure into that war, done in the context of these National Guard weekend warriors who wander into a world about which they know nothing and then wind up wreaking havoc on themselves.

I decided, "Well, I'll be a forest ranger!" Because I thought, "I'll get to go out in the woods, I'll be in the forest, and I can sit in a tower and watch for forest fires and play my guitar. That's what I want to do!" Well, I was an idiot, of course.

Part of my claim to fame is that my first film was also Johnny Cash's first film.

I guess at that moment in time I had a certain... presence? A certain level of presence in the industry. But that was at Madonna's request. There was a concept for the video ["Material Girl"], and the idea was that it was kind of a Howard Hughes and Marilyn Monroe sort of idea, that there was this guy behind the scenes making it all happen. And she saw me as that guy, so she asked for me.

I'd met Harrison Ford before, but he was just finishing a meet with Jon Favreau and the other producers on the film, and we said "hello" as he walked out and I walked in and sat down and had this meeting with those guys. They basically described what they were looking for, and they thought that I brought a certain amount of authenticity to the genre, and would I want to take part? And I said, "Absolutely! I'd love to!"

One can't help but bring one's own personality into what one is doing, and it's certainly true of us actors and it's true of writers.