I mean, it was a rough place ["Wild Bill Hickok"], and you had to wear this kind of cloak that you were a badass, and the most efficient way to do that was with your language. Swearing was just a part of how you got by during the day, and it was quite historically accurate, that depiction.

I changed my major to English and I went off to Fort Collins. And within the first couple of weeks, I noticed that they were having auditions for a production in their theater department. They were going to stage Jean Anouilh's Becket, which was a film I loved, with Peter O'Toole and Richard Burton. So I went down and auditioned, and I got the role. I got the Peter O'Toole part. So here I was, a 19-year-old playing King Henry.

I like the Western genre, I think it's uniquely American.

I wouldn't call it ["Wild Bill Hickok"] an urban legend, but I guess I'd call it a rural legend that the cowboy was always soft-spoken, mild-spoken, well-mannered.

Lee Marvin was just the best. Just the best. And that was the beginning of a friendship that lasted until he died. And the same with Ernie Borgnine. You know, I went up there and did that movie [Emperor Of The North] with those guys, and I actually was with Ernie the night that he died.

This ["Cowboys & Aliens"] was an occasion where a studio was willing to spend a lot of money to make a film set in that time and place, but the hook was that they were also going to have aliens from outer space!

My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.